RATING - ⭐ ⭐ ✨ 2.5/5*
Vijay 69 Review Movie Talkies:
Anupam Kher plays a 69-year-old Buddha, aka Jawan (not Shah Rukh Khan's film), aka Robert De Niro from the Intern (2015), in Vijay 69. This is a tale of passion we all have at 19, but at 69. Now don't get any wrong ideas with the 69 number, as here we have a cross connection but in a friendly manner. Though it's a film of a man at 69, it also includes a 18-year-old boy who learns a lot from this 69 fella and makes this rivalry look much better than many friendship tales we see in today's times. The film has some fine emotional segments but is harmed by the absurd humour and comical packaging. Did it have to be that funny, I mean in almost every single scene? My answer is NO.
Vijay is a 69-year-old Buddha who has achieved nothing in his life as such. Feeling a bit ashamed of himself, he decides to participate in triathlon and make a record for the eldest man ever to complete all tasks in this competition. In the same colony, we have a 18-year-old boy named Aditya (Mihir Ahuja) taking part in the same competition, and he aims to be the youngest one. This eldest vs. youngest rivalry turns into a beautiful friendship during the training period, but things still go wrong with Vijay. He has to fight all odds, be it family members, his enemies, medical reports and tests, or sponsorship; can he do that?
Akshay Roy and Abbas Tyrewala have written a decent script that tackles a beautiful subject, but it doesn't really become unique. Vijau has anger issues, as if he's taken his name seriously by watching Amitabh Bachchan movies. He may not be that "Vijay Dinanath Chauhan," but he's sort of close to it considering his age. Using Chuuu word often is a common thing for him, and telecasting it is not an issue because it is Netflix. Vijay may be the same fella as Robert De Niro from The Intern, who starts a new career after retirement, but instead of a normal job, Vijay chooses something that is nearly impossible, if not completely impossible (I hope Niro sees it and hugs his friend Kher for this). Like Uunchai (2022), we have those slope climbing scenes, and as expected, Vijay (there was a different Vijay) is struggling to breathe and is low on stamina. All that has become a cliche to be taken seriously. Vijay 69 suffers from this very issue, and then there is its absurd and overly funny humour, which just doesn't stop coming.
Speaking of performances, Anupam Kher has done well. There is not much love for this legend to achieve, but he is still doing so well—putting even young generation actors at shame who are so lazy with the character-driven roles nowadays. Mihir Ahuja is that "my kind of fella," you know, something that many boys go through at the age of 18. He has also done a fine job, that too after standing in front of a giant like Anupam Kher. Chunky Panday's character is relatable, but like I said, the absurd humour doesn't leave any soul in it. It was a pleasure seeing Guddi Maruti, our 90s famous comic girl, back again on screen, and however overexposed her character was, you all feel good for her in the end. Sulagana Panigrahi and the rest of the supporting cast were decent with their roles.
Vijay 69 could have avoided the overuse of comedy and abuses to make it more emotional. In the pre-climax scene, Vijay's daughter comes to him and finally shows her support, and they both get teary-eyed. That was an emotional scene, but you don't feel emotional because the atmosphere is ruined by the absurd humour already. The same goes for many other good scenes, which would have looked much better if the presentation was a little serious. Akshay Roy should have been more sensible because drama is a much more powerful and sensitive genre than comedy. Comedy doesn't have to make any sense, but drama does; we all know that. So, keep them apart and keep them within limits. Don't overuse them and merge them to waste the individual potential of both. Vijay 69 will be an example for others to follow this basic formula. Rest, the technical aspects are fine, right from cinematography, sound design, editing, to production design. Overall, a decent film for the people who are looking for that "one single chance" in the second innings of their lives. Cheers to 69!